Little did I know that in choosing beach debris as a photographic project for my MA at Falmouth University I would complete the course (and hand in assignments) as movements on both plastics and climate change gathered momentum with local, national and global announcements for tackling the issues. Informing people through television series, films and social media has been effective in mobilising public opinion with active campaigns of school pupils and with Extinction Rebellion. While plastics are a contributor to, but not the sole author of, environmental problems and climate change, governmental action in relation to both is welcome.
When studying a topic intensely it is easy to spot related material/evidence (often it just happens to be ‘there’ anyway). It does feel however, that the following examples (of the many reported each day) have coincidentally developed at the same time as my project came to fruition.
With visitors to the exhibitions (and myself) seeing my images as objects in space and planets I am keeping the names from astrophysics, Dark Matter for the beach debris and Event Horizons for the recycling facilities. Dark Matter is applied to something that is known to exist but cannot be seen. In Out-Sight-In this is a reference to behaviours associated with ‘out of sight and out of mind’. Event Horizon refers to the point from which nothing can return before being deposited into a black hole. In Out-Sight-In this title references the holes through which we place our waste into metal recycling containers. hoping never to see it again.
Brian May released New Horizons from NASA control centre on New Years Day 2019.
On 10th April we saw the first ever image of a supermassive black hole taken with the Event Horizon Telescope!
The day after my exhibition at The Clay Factory closed Mandy Barker’s Altered Oceans opened on 4th April the Royal Photographic Society’s premises in Bristol.
Plymouth’s Plan for Plastics was launched in April.
Earth Day was on 22nd April. The theme in 2019 is Protect our Species. Last year it was End Plastic Pollution.
Less than 24 hours ago on 1st May the UK government announced an Environment and Climate Change Emergency, the first national parliament in the world to do so.
There is a long way to go to make a difference in our use and disposal of plastics as there is in taking steps to reduce emissions affecting climate change, but with attention focussed at all levels in society and across the globe there will be significant commitment to making a difference. As we enter a new chapter in tackling these issues my project Out-Sight-In feels as if I have only got as far as the introduction and have now to start work on the main body of the text.
BARKER, Mandy. 2019. Altered Oceans. [exhibition]. Royal Photographic Society, Bristol. 4 April – June 2019.
By an amazing coincidence just as my exhibition Out-Sight-In at The Clay Factory was closing Mandy Barker’s Altered Ocean exhibition at the new RPS HQ was opening. Not able to go to the opening event I visited on 5th April and attended ‘When Art and Science Meets Plastics’ presentations and discussion with Mandy Barker ARPS and Professor Richard Thompson OBE Director of the International Marine Litter Research Unit at the Marine Institute, Plymouth University.
I have written about Mandy Barker’s excellent work on marine plastics previously ( https://sarahnewtonphotoblog.com/2018/03/21/week-8-activity-…ice-mandy-barker/ ). I have seen Mandy’s work in online posts and have her book Beyond Drifting. Imperfectly Known Animals published in 2017. She has also published a miniature pocket sized edition of this book and published Altered Ocean on 16 April 2019. The new book promises to look back at her work over the past 10 years as shown in the exhibition.
The exhibition was impressive. With small framed images of individual items showing the lack of deterioration of plastics leading to large prints of her collections of specific found items the images were stunning in their beauty and at the same time horrific in their truth. Complimented with a video and glass display cases of found items and sketchbooks as well as information about marine plastics and their found locations across the world the experience was immersive, interactive and for those not already aware of the scale of this global issue, left no doubts about the importance of awareness raising and finding solutions.
Professor Thompson OBE gave an excellent presentation explaining the size of the problem and the how science is contributing to ways of addressing the challenges faced in managing something which takes thousands of years to deteriorate. Passing round examples of tubes with minute powdery pieces of deteriorated plastics it was easy to see how they must have already entered the food chain and will be affecting human health as well as that of marine and land based creatures. Developing circularity in our approaches to energy use and production through designing for end of useful life offers one way of stemming the increasing flow of plastic into our lives.
Mandy Barker, internationally acclaimed photographic artist, spoke of the work she has been doing for 10 years. She received an Environmental Bursary from the Royal Photographic Society in 2012. Illustrated with photographs of her explorations abroad and the beach finds sent to her from across the world (e.g. thousand of footballs) she described how she made the images. Due to embark on photographing another scientific exploration in the near future her work in this area is guaranteed to continue for some years to come.
Bringing science and art together made for an informative and truly inspirational event, sadly a one off on this occasion. Mandy Barker spoke about her work on 18th April (‘Meet the Artist’) and on 26th April Jo Ruxton will screen and talk about ‘A Plastic Ocean’, her multi-award winning documentary.
Since attending this event I have received a review of my work from Mandy Barker and visited Professor Thompson (he first coined the term microplastics) at the Marine Institute at Plymouth University to learn more about the research activities he and his colleagues are engaged in (www.plymouth.ac.uk/research/marine-litter). Although coming to the close of the MA Photography course my journey with Out-Sight-In is starting to open up with endless possibilities for the future.
One slight mar to the day was receiving my RPS Journal in the post as I was about to leave. The cover featured Soup by Mandy Barker, however the outer wrapping was plastic! Having drawn this to attention at the meeting I was assured this was a publication error for which the RPS potentially be developing another environmental bursary; a fitting solution.